EPIC 2013 FULL MOVIE ON FX SERIES
The red-headed stepchild of the Must-See TV era, NewsRadio seemingly aired on every night of the week but Thursdays, even though the workplace sitcom’s strongest moments should have earned it a place in NBC’s all-star lineup alongside celebrated series like Seinfeld or Friends. Image Credit: ©Cartoon Network/Everett Collection It’s impossible to think about the classic game show Password, for instance, without first thinking of Felix and Oscar competing together and arguing over Felix’s attempt to use “Aristophanes” as a clue for “bird.” Or to hear anyone else talk about the dangers of assuming without flashing to Felix delivering that lesson in a courtroom. The two were so smashing together that their personalities took over not only much of the Odd Couple legacy, but of other series that briefly intersected with it. That’s just how divinely paired Tony Randall and Jack Klugman were as, respectively, anal retentive photographer Felix Unger (in many ways, the prototype for Sheldon on The Big Bang Theory) and slovenly sportswriter Oscar Madison. Yet the sitcom adaptation that debuted two years later has arguably left a larger cultural footprint than either the film or the many, many productions of the play. The 1968 film version of Neil Simon’s play about a mismatched pair of divorced middle-aged friends sharing an apartment was a beloved, Oscar-nominated, box office hit. Image Credit: Elizabeth Fisher/Paramount+ Yet in the midst of all the murder, torture, and psychological warfare, Oz was also a thoughtful, deeply experimental drama with a lot to say about the tension between punishing criminals and rehabilitating them, and what confinement does to good men and bad ones. The world of Oz was so vicious that even the relatively benign prisoners - audience surrogate Tobias Beecher (Lee Tergesen), Black nationalist Kareem Saïd (Eamonn Walker), or third generation inmate Miguel Alvarez (Kirk Acevedo) - would be tempted into heinous deeds over time. Simmons), menacing gang leader Simon Adebisi (Adewale Akinnuoye-Agbaje), the predatory Chris Keller (Chris Meloni), and many more. There was sadistic white supremacist Vern Schillinger (J.K. Elsewhere and Homicide: Life on the Street vet Tom Fontana, Oz took place in a maximum security prison that housed some of the nastiest humans depicted on television, before or since.
It’s a hell of a list.īefore The Wire, before The Sopranos, there was Oz, the canary in the coal mine for the idea of scripted dramas existing outside the broadcast network ecosystem. But voters couldn’t resist many standouts of the past few years, including a tragicomedy with a guinea-pig-themed café, an unpredictable comedy set in the world of hip-hop, and a racially charged adaptation of an unadaptable comic book. Many favorites returned, and the top show retained its crown. (See the full list of voters here.) Giving no restrictions on era or genre, we ended up with an eclectic list where the wholesome children’s television institution Sesame Street finished one spot ahead of foulmouthed Western Deadwood, while Eisenhower-era juggernaut I Love Lucy wound up sandwiched in between two shows, Lost and Arrested Development, that debuted during George W. Once again, we reached out to TV stars, creators, and critics - from multihyphenates like Natasha Lyonne, Ben Stiller, and Pamela Adlon to actors like Jon Hamm and Lizzy Caplan as well as the minds behind shows like The X-Files, Party Down, and Jane the Virgin - to sort through television’s vast and complicated history.
EPIC 2013 FULL MOVIE ON FX UPDATE
So, we decided to update our list of television’s all-time best offerings, originally compiled in 2016. How do you identify the very best series in a medium that’s been commercially available since the end of World War II? Especially when that medium has experienced more radical change in the nine years between the finales of Breaking Bad and its prequel, Better Call Saul, than it did in the 60-odd years separating Walter White from Milton Berle? The current Peak TV era is delivering us 500-plus scripted shows per year, many of them breaking boundaries in terms of how stories are told and who’s doing the telling.
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